Bicycling is a way of life for old Bunny. I’m too poor to own a car, and owning a car while living and working in Boston is like owning a TEC-9 while living in Stockholm; it doesn’t make much sense. Hence, I’ve committed myself to a two-wheeled lifestyle. My bicycle, Katie, is a very utilitarian rig. A cyclocross racer-turned-touring commuter, she has full fenders, fat tires, seven lights, mudflaps, a rack, and a hitch for my flatbed trailer with which I tow laundry, groceries, keyboards, Chunky Dog, etc. She’s everything to me: my car, my truck, my recreation, my well-being. However, every now and then I get the hankering for something pure and singular in purpose. Luckily, Aspen has the medicine.
My brother-in-law, Kevin, is a former racing cyclist and avid road and mountain rider to this day. He promised he’d rent me a flash steed while I was in town and we’d do some serious banzai road riding. Now, normally, you’d never mistake me for one of those Lance Armstrong wannabes. It’s just not my style. I’m generally in plain clothes or high-vis neon colors and I’m riding the bicycle equivalent of a Subaru Outback (even though I’m faster than most other riders I see), so I knew I’d be in for what middle-management Nazi douchebags call a “paradigm shift.” Kevin and I went down to his favorite shop, Ute City Cycles, and we picked out a mount: The handbuilt-in-France LOOK 566 Origin.
The 566 is a full-on carbon-fiber road racing bicycle. Not a “sport tourer,” not a “comfort road commuter,” not any other compromised wishywashy marketing ploy. Its tubing has all sorts of wild geometric kinks and swoops in the name of stiffness and efficiency. Most people should not own this bicycle, since it’s capable of much more than they could ever get out of it. However, like a Ferrari or a supermodel thirty years your junior, that’s not the point. The lust for these things is not borne out of sensibility.
Our first day out, Kevin and I took our machines (he was on his newly-purchased LOOK 585) for an evening spin up Old Snowmass. I was done up in some of Kev’s B-list lycra, including bib shorts with a big old hole in the ass so my leopard-print boxers were visible. After clicking into the Shimano clipless pedals, we set off up the undulating rural route. The razor-sharp responses of the machine were immediately evident. Steering can almost be done solely with the mind, yet it is not twitchy or temperamental. The narrow tires do not forgo any irregularities in the road, but the carbon frame deftly smoothes harsh vibrations while making for a superbly stiff climbing and sprinting beast. Just a tickle of the throttle— I mean, pedals— elicits a surge forward that seems almost as if the bike is hitched to a hot-footed teenager’s V6 Accord.
The long grind up was deceptive; though the road did not appear to be inclined, the going was much slower than one would expect of two fit gentlemen on feather-light racers. I initially chalked this up to altitude and the roughness of the asphalt, but once we reached our turnaround point, it was clear we’d been climbing an insidious grade. My posterior was a bit numb from the rock-hard Selle Italia saddle, but such is often the price of performance. It was the run back down, though, where this performance really shone through. We turned around, and the speed became biblical in short order. Kevin assumed the full racing crouch, while I simply went into the drops. The tires howled over the stony asphalt. The LOOK was as sharp and composed as ever, if not more; it was in its element now. There were no high-speed jitters, no sense of going beyond design parameters. I felt like that guy in the old Maxell ads, my face and hair stretched backwards by a powerful airstream. I was in top gear, but soon spun it out beyond a comfortable cadence and simply coasted. This was real fighter jet stuff—well, a fighter jet with its canopy off. Your senses are dialed all the way up, your heart not dangerously racing but roaring along just fast enough to keep you in top killing form. According to Kevin’s GPS, we reached 41 miles per hour on that hill. 41 MPH in a car on that road is fast enough; on a velocipede, it’s bordering on the daft. It is splendid.
On the second ride, we drove out to the Ruedi Reservoir area and rode along the Fryingpan River. This is where the LOOK’s sustained high-speed cruise-missile capabilities came into light. Most of this ride was along a gently rolling but generally flat road following the river, with a stiff tailwind on the way out. Though ass pain was still a bit of a factor, I quickly settled into a comfortable transonic cruising speed. I’d never ridden so fast for so long. The 566 ate up the road like the proper racer that it is, ever eager to heel over and surgically carve the blind curves and crest the hillocks like they were mere molehills. There were a good many other seemingly serious road cyclists out that day, which Kevin and I dispatched one by one in short order. “Passed by a guy with his knickers hanging out,” I’m sure they said to themselves, “time to find another hobby.”
As befitting a well-engineered machine, the 566 didn’t draw much unnecessary attention to itself in its operation, save for getting used to the SRAM drivetrain. I was witness to the breathtaking beauty of the Wild West; the roiling river, the verdant mountains reaching into the crystalline sky. Everything was near as dammit to perfect. There was a long, steep, first-gear slog up around the reservoir for the last mile, which, though we were sucking air and cursing the name of lactic acid, the LOOK handled with as much ease and grace as one could want short of having an engine. The bomb back down the mountain pass was longer than the first day’s downhill, and the run back along the river was even more gratifying than the first go round. At that point the LOOK and I had settled into a symbiosis, a man-machine meld that felt like your classic holiday love affair; oh so short, but ever so right. It was a forbidden pleasure that I’d never felt. I could have ridden back to Boston.
If I had the money, I would certainly put a true racing bike in my collection. The LOOK, but for its somewhat avant-garde looks, would certainly do. For those of us living a bicycle-based urban life, it could never be your only ride. I’d never give up Katie for something like this. And for those of us who are merely casual riders, it is too uncomfortable and expensive for what you’d get out of it. But those are not its domains. It’s a device of pure indulgence, of hedonism, for someone who appreciates a precision instrument and knows that its capabilities surpass their own; that it will do whatever one may ask of it, and egg you on to push your limits ever further. It makes you quiver with excitement just to sit on it. It’s a symphonic synergy of muscles and metal. If that’s not a noble pursuit, then call me a snob.